How Jad Abumrad, 'Radiolab' Creator And Co-Host, Got Hooked On Storytelling - NPR laingali.blogspot.com. SUSAN OLSEN: I worked for the Memphis Pink Palace museum, and my first job was dusting W. C. Handy's trumpet. Ten thousand people lost their homes because they were just trying to save one white guy's property. I've got to tell you, I was probably - I was - think I was on LSD. We're going to end the series with the story of a song. PAUL SLADE: Arguing that this purchase violated their restrictive covenants. SHIMA OLIAEE: We met up with the archivist of Woodlawn Cemetery, Susan Olsen. JAD ABUMRAD: And then things get really confusing. PAUL SLADE: That is the version that's now actually held in the National Recording Registry - so clearly very significant. Letters to editors, you know, articles in newspapers - they're the ones who say, this is an anthem. My mother is one of 12. Black No More, White No More. Yeah. JAMES BROWN: (Singing) And the home of the brave. I guess you just have to go with it. It tells what is known of Pace, a highly accomplished businessman who wrote popular songs, started Black Swan records, led a Black insurance company, and then seemed to change his racial identification. Episodes. Five hundred kids sing it - must have been quite a moment. It's something that happens. The Vanishing of Harry Pace: Episode 6. IMANI PERRY AND EMMETT G PRICE III: Let our rejoicing rise. So here's the good news: over the past year, more than 29,000 of you made a contribution to Radiolab. IMANI PERRY: (Reading) That fight required that our family occupy the disputed property in a hellishly hostile white neighborhood in which literally howling mobs surrounded our house. SHIMA OLIAEE: Imani says she looked around the room. Like, what happened with your family? ERIC PACE: They're, like, an '80s famous reggae band. I was, like, a cool African American now. On another hand, it's, like, an entryway into a community. This is what people have to give their families after they die. This text may not be in its final form and may be updated or revised in the future. JAD ABUMRAD: The Vanishing Of Harry Pace was created by Jad Abumrad and Shima Oliaee and is presented as a collaboration between Osm Audio, RADIOLAB and Radio … ERIC PACE: You can't do that. And he would put it back up. Series artwork was created by Katia Herrera. She would ultimately write a play about the whole experience called "Raisin In The Sun.". Harry then, in a very kind of clandestine, complicated series of transactions, arranges for the house to be sold to a Black man, in direct violation of the racially restrictive covenant. It got pretty big, so big that when I got in the car, I had to slump 'cause it would get flattened out on the... PETER PACE: ...On the ceiling. No signup or install needed. SHIMA OLIAEE: But then Harry and his team go out. SUSAN OLSEN: I don't even know if he had a New York City funeral. What was going through your mind at that moment? So one of the tricky things about Harry is boiling down his life to just one story. I'm not even going to do a voice. IMANI PERRY: Great-grandparent is eighth. Why don't we have, like, three movies about this dude, right? IMANI PERRY: After a mere eight hours, 10,000 people were homeless, and 2,368 buildings were gone. PETER PACE: You know, actually, it's funny you would say that. And apparently even before Carl Hansberry had moved his family into that Woodlawn white neighborhood, Harry had already snuck his family in. We want to talk some more about this. Don't be fooled, all-white jury, that is a Black man causing trouble. Handy becoming "Father of the Blues," inspired Ebony and Jet magazines, and helped desegregate the South Side of Chicago in an epic Supreme Court battle. Pace launched the career of Ethel Waters, inadvertently invented the term rock n … SHIMA OLIAEE: So in starting this company, Harry clearly saw a need. (SOUNDBITE OF SONG, "ONE NATION UNDER A GROOVE"). And so often, there's no warning. Found insideA meningitis outbreak in their underprivileged neighborhood left Sylvia Acevedo’s family forever altered. As she struggled in the aftermath of loss, young Sylvia’s life transformed when she joined the Brownies. Basically, you can't have these kind of people in the neighborhood. Let it resound loud as the rolling sea. PETER PACE: And that's Jo's (ph) husband. JAD ABUMRAD: You don't have to edit if you want to. He comes in here as a linguist, which is his day job. SHIMA OLIAEE: Broad shoulders, three-piece suit and a knowing grin on his face. SHIMA OLIAEE: It's a poem about the past, the present and the future. (SOUNDBITE OF SONG, "LIFT EVERY VOICE AND SING"). Right? And she buries him the next day. KIESE LAYMON: You know, growing up in Mississippi, we were always taught, whether it's right or not, that one drop could mean you were contaminated to white people and whiteness. SHIMA OLIAEE: This was his Du Boisian programming kicking in. And so I would run errands and do whatever he wanted me to do. IMANI PERRY: So they have an acute sense of injustice and fear... PROTESTORS: Black lives matter. IMANI PERRY: And the house can be occupied by African Americans. 06.26.2021. SHIMA OLIAEE: Well, Harry just shows up everywhere. He won. So this is a great question because as you all know, now, he doesn't remember that moment. You know, I thought this was just going to be - you know, that my husband's going to leave me. What will happen? And as a race man of sorts, as someone who was interested in pursuing civil rights for African Americans... SHIMA OLIAEE: Harry Pace decided it's time. SHIMA OLIAEE: The Vanishing of Harry Pace was created by Jad Abumrad and Shima Oliaee and is presented as a collaboration between Awesome Audio, RADIOLAB and Radio Diaries. JAD ABUMRAD: Her perspective and work has been a real guide for us. CANDACE EDWARDS: We both make the beats together. This volume is another example in the Routledge tradition of producing high-quality reference works on theater, music, and the arts. JOHN JOHNSON: We were all - went to some place where there each - selected one person from each school to be honored. JAD ABUMRAD: And what changed for you that made it... JAD ABUMRAD: ...So you didn't want to keep this a secret anymore? Harry Pace founded the first major Black-owned record … That includes his legacy, his life and his memory. No, absolutely not a better world. JAD ABUMRAD: She read us from James Weldon Johnson's memoir. JAD ABUMRAD: Yeah. But what would that hell look like? JAD ABUMRAD: What we do know is that 98 years ago, as Black Swan Records was imploding, Harry Pace seared the song onto a record for the first time, froze it in place. Subscribe. Conway recounts one of the most important stories in aviation history: the evolution of aircraft landing aids that make landing safe and routine in almost all weather conditions. And I just felt like I was Black. SAM COOKE: (Singing) I was born by the river. JAD ABUMRAD: This is The Vanishing of Harry Pace, the miniseries on RADIOLAB - Jad Abumrad here with... JAD ABUMRAD: ...Name - good. Actually, he was the first Black man to make that list. KIESE LAYMON: Now, see, this is the Harry Pace I imagined the whole time you were talking. SUSAN PACE: This was my own thoughts in my head. Found inside – Page iiTo assess the social processes of globalization that are changing the way in which we co-inhabit the world today, this book invites the reader to essay the diversity of worldviews, with the diversity of ways to sustainably co-inhabit the ... Long before Motown, there was Black Swan Records, the record label founded a century ago during the Harlem Renaissance by Harry Pace, a protégé of W.E.B. DuBois. Pace launched the career of Ethel Waters, partnered with W.C. Handy, and was the first person to record “Lift Every Voice and Sing.”. Then suddenly, he disappeared. I said, what do you mean? SHIMA OLIAEE: And it's all about the gray space. And none of them knew this song. So 136 different racial categories essentially. ERIC PACE: I actually ended up jumping in my car and driving - just driving down the road. IMANI PERRY: So when we went home to Alabama for Thanksgiving, you know, we all come to my grandmother's home. Michelle R. Scott uses Smith's life as a lens to investigate broad issues in history, including industrialization, Southern rural to urban migration, black community development in the post-emancipation era, and black working-class gender ... ARCHIVAL: I know that's what you want to do. JAD ABUMRAD: So Jami says Harry and his team deploy kind of an ingenious strategy. I mean, I think, you know - and I'm sure he thought, you know, he's a racist, and I want to do - well, and it's true. IMANI PERRY: Well, honestly, this - it's not all that uncommon that that would happen. Right? CORD JEFFERSON: He probably had to swallow his pride. SHIMA OLIAEE: Did you ever wonder why you had an Afro? Visit our website. EMMETT G PRICE III: And then you go to verse two, stanza two. That's just against - that's against our principles in America. SHIMA OLIAEE: At the end of April 1924, after a very intense two-year run, Harry sells Black Swan to Paramount, a large white record company. Radiolab In the first episode of The Vanishing of Harry Pace, Harry sets out to change the world and builds multiverses again and again — then watches it all come crashing down. A day later, his body ends up in the Bronx. PETER PACE: And she thought maybe with the internet, she might be able to find something out. It's sort of a weird thing to say when not talking to another, like, Black Southern (laughter) person. CHILD: (Singing) Keep us forever in the path, we pray. KIESE LAYMON: He could be? Escapescape. The Vanishing of Harry Pace is a series about the phenomenal but forgotten man who changed the American music scene. James was ultimately one of the leaders of the Harlem Renaissance, a novelist, a very distinguished poet and an educator. Visit our website terms of use at www.wnyc.org for further information. I'm going to show you pictures of Harry Pace. Is it three, two - can you see it? - somewhat toward white. I think Pace thought maybe it's time for us to start letting this go. PETER PACE: Somehow the notion was presented that Pace was an Anglicization of Pa-che (ph)... SUSAN PACE: You know, we grew up thinking maybe we're Italian. JAD ABUMRAD: And he wanted to get back at them. And to quote... SHIMA OLIAEE: This is actually Harry's grandson Peter reading from the speech. Will the song attach itself to Imani's son's generation the same way it did for her and her mother's and her grandmother's and her great-grandmother's? Found insideSF, this volume acknowledges, is an enduring argument. JAD ABUMRAD: There are many ways to read this exchange. And he wanted to see if this idea would work. It was something that they could pass down. Their first sort of... BARACK OBAMA: All the workers who organized... IMANI PERRY: ...Memory of a president was Obama... BARACK OBAMA: Yes, we can to justice and equality. Stony the road we trod, bitter the chastening rod. Pouco-clara - not very light; pouco-morena - not very dark-complexioned; pretinha - Black, either young or small; puxa-para-branco - somewhat toward white. The Vanishing of Harry Pace was … I was primarily the singer. You've got a dead relative. 01:06:04 - The Rise and Fall of Black Swan It was Motown before Motown, FUBU before FUBU: Black Swan Records, the record company founded by Harry Pace. So... SUSAN OLSEN: Don't you think this is Arbutus? The story of the post Black Swan years. PETER PACE: They were - yeah - with a restrictive covenant. Then what does he do with it? JOHN JOHNSON: ...Who went to the University of Wisconsin. SHIMA OLIAEE: So Imani wrote a book. The Vanishing of Harry Pace. But, you know, we're just a two-person team. I'm Jad Abumrad, here with... SHIMA OLIAEE: I'm Shima A. Oliaee. On that drive back, he just felt kind of changed. What is your take on that? They were like - I was like, yeah. JAMI FLOYD: We have to remember, we didn't start filling out our own census forms until 1960. Black Swan Records was first to record the anthem Lift Every Voice and Sing. SHIMA OLIAEE: Why did you think he was going to leave you? SHIMA OLIAEE: Martin Luther King referenced it before the summer March after the Montgomery Bus Boycott. The Vanishing of Harry Pace was … That's the deepest work we can do as journalists. It's the hairline. It's not - so it's not even just appearance. IMANI PERRY: ...And offers them money to prevent them from moving in. I don't know what it was all about. Disgraceland is a collection of the best of these stories about some of the music world's most beloved stars and their crimes. It will mix all-new, untold stories with expanded stories from the first two seasons of the Disgraceland podcast. I'm Jad Abumrad, here with... SHIMA OLIAEE: This is the Vanishing of Harry Pace, a miniseries on RADIOLAB. And... IMANI PERRY: ...At the Younger's apartment. So at a certain point, the other side calls Harry himself to the stand. Tomorrow on … It's the one where he's in a pinstripe suit. They listened to the whole Harry Pace spiel, and they listened to me talk about how he had the first Black record company, and I showed them the Wikipedia page. The show is known for its deep-dive journalism and innovative sound design. The Vanishing of Harry Pace: Episode 4. SHIMA OLIAEE There should be a Gertrude Ederly (ph) and McGlynn (ph) memorial will make it clear. SHIMA OLIAEE: (Laughter) Sorry - it's a moving color. Copyright © 2021 New York Public Radio. SHIMA OLIAEE: He says sitting in that car - again, the car... ERIC PACE: I just had another identity crisis, where I felt like, wow, I don't feel like I've lived a upbringing in the Black world that qualifies me to claim that I'm Black. JAD ABUMRAD: It was very much like Black Swan. And I just kind of looked down at my hands and my arm and everything, and I said, oh, my God. SHIMA OLIAEE: Yes. JAMI FLOYD: It's so modest, which is - if you want anonymity, I guess that's a good thing, right? IMANI PERRY: And it sounds odd to say. IMANI PERRY: The resilience of "Lift Every Voice And Sing" is truly unparalleled. But then, a couple months later, something happens that scatters the song far and wide. SHIMA OLIAEE: There certainly would have been backlash from white people after Hansberry v. Lee. ‎The Rise and Fall of Black Swan: Episode One from The Vanishing of Harry Pace, a six-part series created by Jad Abumrad and Shima Oliaee. The Vanishing of Harry Pace (Radiolab) Subscribe. You know, like... SHIMA OLIAEE: Well, we want to close with one more digression. Black people totally approve of this transformation that I'm going through. Found inside. . . What makes this book endearing is its chatty, calm account of how genius in America can be a matter-of-fact defiance of reality that won’t alarm your dog or save mankind. And this was at the height of the Vietnam War. PETER PACE: We were visiting my sister in Santa Barbara. SHIMA OLIAEE: Just your professional opinion - do you think he moved into that neighborhood to test the bounds of covenants to set up Hansberry v. Lee? And within, like, about 30 seconds, my sister - my older sister started - said out loud, oh, so does this mean that we're African American? We're all sitting in the den. There's no protection. JAMI FLOYD: So we don't know what happened, Jad. I think it's pretty big. PETER PACE: So I was pretty much unemployable. So they had to run all the... so they're running through white neighborhoods, being chased by dogs. OK. Yeah. SHIMA OLIAEE: Seems like there was no funeral, no ceremony, nobody present except for her. Well, I don't know how far back you want to go. Without the remaining 46% or so, the thing wasn't a good document. SHIMA OLIAEE: That's exactly what Harry wanted. And he doesn't fully elaborate this when he remembers it, but he decides not to honor Lincoln. IMANI PERRY: My son was 5 years old when he came home singing this song. JAMI FLOYD: I wondered if he was sort of ahead of his time a little bit. We follow Harry's grandkids and great grandkids as they grapple with his legacy in their own lives. JAMI FLOYD: (As Charles) Are all the other officers of your company also colored people? MANHATTAN HARMONY FOUR: (Singing) Lift every voice and sing. SHIMA OLIAEE: And you were playing an instrument? SHIMA OLIAEE: Peter told us that he kept thinking about events from his childhood. They - just - there's not enough space. SHIMA OLIAEE: We'll hear from them in a second. Anyhow, for those who aren’t full of that sort of fear and anger, I recommend a recent podcast series from RadioLab: The Vanishing of Harry Pace. CORD JEFFERSON: Chicago Defender, April 19, 1924 - (reading) white combinations of white businesses are frequent. Handy becoming "Father of the Blues," inspired Ebony and Jet magazines, and helped desegregate the South Side of Chicago in an epic Supreme Court battle. One of the most famous examples was a man by the name of Homer Plessy, who looked about as white as Eric and had roughly the same amount of, quote, unquote, "Black blood" in him as Eric. Featuring the perspectives of 60 contributors representing 25 different countries and countries of origin, and combining candid narratives with simple, yet striking, portraiture, this book provides living testimony to the diversity of ... Like, bring out the calipers. It does not often occur where there is a combination of a white and a racial business. The series is based on the book "Black Swan Blues: The Hard Rise And Brutal Fall Of America's First Black-Owned Record Label" by Paul Slade. ELLIOTT HURWITT: It's almost a Halloween story, you know? And think about it. JAD ABUMRAD: The Vanishing of Harry Pace was created by Jad Abumrad and Shima Oliaee and is presented as a collaboration between Awesome Audio, RADIOLAB and Radio … SHIMA OLIAEE: If you've seen the play, you'll recall that it's about a Black family moving into a white neighborhood - or about to move in. PETER PACE: I don't know why that would be offensive. I was kind of trying to feel the environment and kind of get some inspiration from my surroundings. JAD ABUMRAD: So Harry decides to try and solve this space problem. rakip takımda bir hırvat varsa onunla formamı değiştiririm. SHIMA OLIAEE: She said she liked his sense of humor. JAD ABUMRAD: Suppose you had known this all along. It's not - that's not the story. I mean, I was born in 1953. JAD ABUMRAD: Here's what we know - or think we know - just a couple months after the threat of that picket, Harry is shoveling snow outside his home. And I should say, my family is very large. He has a new podcast miniseries called The Vanishing of Harry Pace. You have nothing to do within a week. It died a premature death before it even was possible to be birthed. This is a betrayal. JAD ABUMRAD: Whatever the case, if it were a W, maybe that suited him to be classified that way since his goal was, at some point, to out himself and bring a case. Older, older Harry Pace - probably the time when he was testifying. And as an example of maybe where we're headed, Imani mentioned Brazil. And if you recall, we began the whole series with that memory of his of standing at the mirror with his white mother and his Black father, looking at the reflections and asking... CORD JEFFERSON: What am I? SHIMA OLIAEE: This is what he's talking about. Found insideThis extraordinary freedom results not from America’s culture of tolerance, but from fourteen words in the constitution: the free expression clauses of the First Amendment.InFreedom for the Thought That We Hate, two-time Pulitzer Prize ... JAMI FLOYD: Yeah. IMANI PERRY: They're contracts, yeah, with... JAD ABUMRAD: Are they legal documents? Listen to The Vanishing Of Harry Pace: Episode 5 and 409 more episodes by Radiolab Podcasts (Radiolab), free! Some people found it irritating. JAD ABUMRAD: Oh, my God. IMANI PERRY: Trying to sort through what that experience is like psychologically is very hard to do. The guy who tried to desegregate the neighborhood? JAD ABUMRAD: James Weldon Johnson is the principal of a school, a school for Black children that was set up after the Civil War. Found inside – Page iThe analyses in this collection offer a range of interpretations which begin to open avenues for further research into a distinct Podcast Studies. His son tried to re-segregate it. 112. Science Philosophy studios radiolab Education Lab wnyc krulwich Radio abumrad Technology jad. Like, this is amazing, you know? ERIC PACE: Actually, we started Pace and Candy Record Company. IMANI PERRY AND EMMETT G PRICE III: Lift every voice and sing. This series was produced in collaboration with author Kiese Laymon, scholar … According to their rules - these are the rules the association made for themselves. SHIMA OLIAEE: ...Eric decided he just needed to learn more. And the ultimate solution was the one-drop rule, which is you are legally Black if you have even one drop of African ancestry. FIRST TIME HEARING Dolly Parton - Jolene REACTION - YouTube IMANI PERRY: I gave a talk years ago at Stanford and to an African American studies class, which was largely Black students. SHIMA OLIAEE: ...That Harry's grandkids had on their wall - the one that Peter showed them the day he handed them each a packet. I was obsessed with soul music, and I also was... ERIC PACE (Rapping): OK to grind. It's not something anyone can do by themselves. Surprising his friends, many of whom had no previous inkling of his study, Harry Pace, well-known insurance executive, appeared in the graduating class of the Chicago Law School. EMMETT G PRICE III: Stony roads with bare feet - right? Du Bois, W.C. And then you're shown the consequences of, like, this neon catastrophe of race in this country. JAD ABUMRAD: Looks about, maybe, 18 - I don't know. Come on, Harry. The Vanishing of Harry Pace was created by Jad Abumrad and Shima Oliaee. Come on, Harry. This notion that this thing is much bigger than us... IMANI PERRY AND EMMETT G PRICE III: Ring with the harmonies of liberty. SHIMA OLIAEE: Fast-forward to 1919. I'm as white as you. SUSAN PACE: Yeah. The women's groups and churches - they're pasting "Lift Every Voice And Sing" in the back of hymnals. Like, I sort of - I felt at ease and sort of, like, at peace in a way that - it's just a contentment that I had never felt before about the way that I looked. 2M ago 6w ago. And I play Freeman Plare (ph). He sues the company. JAD ABUMRAD: So maybe that's what happened. IMANI PERRY: All these migrants are coming, and there's essentially not enough housing. And this story comes - well, it begins with one of her books, "May We Forever Stand.". What am I? That's fine... CANDACE EDWARDS: Dark skin - I'm chocolate. SHIMA: Coming soon to Radiolab. SHIMA OLIAEE: She says that a lot of people are starting to talk about the, quote, unquote, "Latin Americanization of race in America." It took us an hour. IMANI PERRY: I mean, "A Raisin In The Sun" is, in many ways, kind of the door opening. And then he holds up a picture that had been on our wall our whole lives. We follow Harry's Supreme Court battle to desegregate the South Side of Chicago, and then the mysterious … PETER PACE: Well, that's true. JAD ABUMRAD: Episode 3 arrives in just a few days. JAD ABUMRAD: In just one generation, the entire family was cut off from the real story. SHIMA OLIAEE: All of these people, he argued, they need to be seen. SHIMA OLIAEE: Kiese's point is that you can't just take the good stuff or what you assume to be the good stuff about being Black without also acknowledging that that stuff came out of hundreds of years of violence and racism. Well, I guess for me, that's the remains-to-be-seen question, right? The show is known for its deep-dive journalism and innovative sound design. No signup or install needed. IMANI PERRY: ...And go to New York. SHIMA OLIAEE: She says, they threw stones in through the windows. Promote. I have such distinct memories of being a little girl in Alabama in the '70s and everyone having large afros, wearing dashikis, the kind of bold assertion of Black is beautiful and Black pride. JAMES WELDON JOHNSON: As we are or sinking 'neath the load we bear? SHIMA OLIAEE: Yes. Polaca - polish woman - translation of Polish, which means someone very white. I'm sure he was one of the people who was like, I mean, Lincoln didn't even like Black people, right? That's my feeling. So naturally, they didn't want to meet a Black person. But mathematically, of the tens of millions of people who listen to Radiolab, 29,000 is less than one percent. Harry Herbert Pace (January 6, 1884 – July 19, 1943) was an American music publisher and insurance executive. KIESE LAYMON: And if you threw a mustache on him, you could not tell us he wasn't Black. It's about hope, rising up. He said, nope, you've got to come to the family meeting, and I'll tell you everything. Listen now in the Radiolab feed on Spotify : https://bit.ly/ 35ymtwu And what was immediately clear to him, to anyone, was that there were tons of neighborhoods with space. SHIMA OLIAEE: So he just flips industries from music to insurance? 2M ago 6w ago. SHIMA OLIAEE: This is Peter's sister, Susan. IMANI PERRY: That's also meaningful because the United States doesn't have a national anthem at that point, not until 1931. All rights reserved. CORD JEFFERSON: This was problem-solving at its best. Created in 2002 by host Jad Abumrad, the program began as an exploration of scientific inquiry. SHIMA OLIAEE: He says Brazil was eye-opening on many levels, and he ended up writing an article about it. SHIMA OLIAEE: For seven years, Eric openly called himself a Black man. The label founded exactly 100 years ago by Harry Pace. Unsubscribe. This would've been right in the middle of the Hansberry v. Lee case. I've turned into a Black man (laughter). You are white, so I will call you white man. When you pass, you have to learn how white people see Black people. ELLIOTT HURWITT: I mean, the thing is, the way in which he retreats into his house and leaves Black life and hides is, really, very unfortunate. IMANI PERRY: Yeah. We would like to show you a description here but the site won’t allow us. For lots of 20-year-olds, young people, they don't sing it all the time, right? This edition offers more coverage of the key elements of academic writing, including new strategies for writing a research paper and a section on writing a reflective essay. Read the preface. KIESE LAYMON: Wait, can I see the first one again? Like, did you give up? SHIMA OLIAEE: Happy 100th anniversary, Harry. JAMI FLOYD: Oh, maybe the chat would be good. PAUL SLADE: I don't, I'm afraid. He looks like many... IMANI PERRY: ...Black men I (laughter) know. No signup or install needed. Found insideThrough his inventions, Lee de Forest made possible the mass entertainment media we enjoy today. This is his story. JAD ABUMRAD: So he sounds like one of these, like, swashbuckling Harry Pacian (ph) kind of guys. JOHN MCWHORTER: (As Harry) I say I am commonly known as a colored man and prefer to be known as such. The show is known for its deep-dive journalism and innovative sound design. And in January of that year, a couple of students come up to him and ask him if he would help them out. - there are a lot of reasons for that - you know, not a ton of documentation. I mean, it's even possible that James Burke, that racist cop, only worked with Harry in the beginning because he thought he was white. ACTOR: (As character) I'm white - white, white. Unsubscribe. And he's like, yeah. But when we asked her what do you think he was thinking... IMANI PERRY: OK. You can't segregate this neighborhood. They were like, cool. SHIMA OLIAEE: You're the best Harry so far. That number is going to mushroom. SHIMA OLIAEE: Now, the one-drop rule was the legal definition for race throughout the 20th century. Harry Pace founded the first major Black-owned record label in the U.S., ushering in a new wave of American music. JAD: And Shima Oliaee. Phenotype is what defines race in Trinidad and Tobago. Thoughts? He just went back to tuning his amp because in his mind there wasn't really a question. But what Harry does next... SHIMA OLIAEE: ...Is on a whole 'nother level. Radiolab is one of the most beloved podcasts and public radio shows in the world. JAD ABUMRAD: I've got to tell you, with all the retro glasses and buzz cuts... JAD ABUMRAD: ...It has a sort of a - I hope this doesn't sound offensive, but kind of a "Leave It To Beaver" vibe. IMANI PERRY: So he sits down to compose this poem, and something happens in the process. In talking with Imani... SHIMA OLIAEE: ...The idea came up that that thing that Eric experienced in the car - shifting how he sees his relationship to race, waking up from the one-drop rule - Imani says that America might be in the beginning stages of that same kind of shift. That's actually something I want to say, picking up on your word movement. ETHEL WATERS: (Singing) Woke up this morning, the day was dawning... PETER PACE: And she just kind thought, well, that can't be right. But what Black people did with it was to create a kind of collective identity. DAVID SUISMAN: I mean, and a couple of things that are pertinent here - and one of them is insurance has this really important social function. IMANI PERRY: He's like a hard-core intellect. IMANI PERRY AND EMMETT G PRICE III: Bitter the chastening rod. JAD ABUMRAD: And we should say, the song is maybe making a comeback - maybe? CANDACE EDWARDS: I mean, in America, if somebody was to refer to me as a sweet darky, then that would probably be, like, a headline or, you know, a talk. ERIC PACE: And we got a message from my dad... ERIC PACE: ...Saying we have a mandatory family meeting. CORD JEFFERSON: It's just, like, a really.... IMANI PERRY: So, you know, it's complicated. IMANI PERRY: And because we're in the digital era, that - it has played over and over again. Horrible, difficult, and at times strikingly … SHIMA OLIAEE: ...The song went into overdrive. EMMETT G PRICE III: Let's remember that lynching was about muting the voice.

Dire Dawa Kenema Fc Ethiopia Bunna Sc, Uwmc Investor Relations, Ross Martin Snocross Net Worth, Motorcycle Helmets At Walmart, Ercot Today's Outlook Graph, Ligue 1 Transfers Betinf, Monte Cristo Cheesecake Factory,